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LINDA OH - Initial Here (2011)

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President Theodore Roosevelt's famous quote, "Walk softly and carry a big stick," epitomizes Linda Oh, the soft-spoken bassist/composer who draws total respect with her intrepid musicianship. With her highly acclaimed self-released debut, Entry (2010), and increased visibility through recording dates and gigs like Dave Douglas'"Tea for 3" Tour, Oh is emerging as one of jazz's bright performers.

Oh's sophomore release and first for Greenleaf, Initial Here, reveals even more of her savvy. Expanding from the debut's trio to a more fleshed-out quartet with virtuoso pianist Fabian Almazan, talented drummer Rudy Royston, and another young wunderkind, saxophonist Dayna Stephens, this set, which includes fresh material and a couple of standards, is a view into Oh's cultural and musical identity, drawing inspiration from many influences.

Oh's robust sound, containing bite and punch, is immediately noticeable throughout, including "Ultimate Persona," which is driven by Alamazan's eloquent pianistic language, Royston's snappy percussion, and Stephens' lyrical tenor. With its relentless swing, the command of Oh's double bass is unyielding on "Something's Coming/Les Cinq Doigts," a unique suturing of two disparate works by composers Leonard Bernstein and Igor Stravinsky.

The bassist's own compositions leave lasting impressions. Included here are the affecting "Mr. M," where her solo punctuates with strength and empathy as Stephens' horn purrs catlike, and the haunting "Thicker Than Water," where bowed bass and bassoon accompany emotive lyrics in Mandarin and English from singer Jen Shyu.

Oh's mad skills on electric bass are also unveiled with this set. On "Little House" and "Deeper Than Happy," her fingers moving with power and grace as Royston provides energetic beats and Almazan shows off his lithesome skills on Fender Rhodes. But it's difficult to beat the beauty of Duke Ellington's "Come Sunday," where melody and composition move in perfect acoustic harmony. And as icing on the cake, the set concludes with "Deeper Than Sad," the reverse sentiment of the song's aforementioned, upbeat counterpart. As on the previous tracks, this one is marked with spirit, atmosphere, and the creative depth of a rising artist.  -  Mark F. Turner



Linda May Han Oh

Born in Malaysia and raised in Australia, Linda studied in the US and was the 2012 Downbeat Critics’ “Rising Star” on bass. Since graduating from Manhattan School of Music she has released four albums as a leader, and all of them have received great critical acclaim.

Linda has written for large and small ensembles as well as for film, and she was also involved in creating a series of lessons for the acclaimed BassGuru app for iPad and iPhone.

Linda May Han Oh has been the indispensable bassist for Joe Lovano, Steve Wilson, Vijay Iyer, Dave Douglas, Kenny Barron, Geri Allen, Fabian Almazan, Terri Lyne Carrington and is now working with Pat Metheny.


Tracks
01. Ultimate Persona (Linda Oh)
02. Something's Coming / Les Cinq Doigts (Igor Stravinsky/Leonard Bernstein)
03. Mr M (Linda Oh)
04. No.1 Hit (Linda Oh)
05. Thicker Than Water (Linda Oh)
06. Little House (Linda Oh)
07. Deeper Than Happy (Linda Oh)
08. Desert Island Dream (Linda Oh)
09. Come Sunday (Duke Ellington)
10. Deeper Than Sad (Linda Oh)

LINDA OH  acoustic bass, electric bass, bassoon
RUDY ROYSTON  drums
FABIAN ALMAZAN  piano, electric piano, melodica
DAYNA STEPHENS  tenor saxophone
JEN SHYU  vocals (tracks: 5)
CHRISTIAN HOWES  strings(tracks: 6)

Recorded on February 2011 at Acoustic Recording and North 6 Media Labs
Greenleaf Music - GRE-1024


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