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TOMASZ STANKO - From The Green Hill (1999)

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Tomasz Stanko appears to be one of only a handful of trumpeters who is currently writing and recording challenging music. Like fellow brassmen Leo Smith, Kenny Wheeler and Toshinori Kondo, Stanko's been at it for more than 30 years. Though he records often enough, he rarely performs outside of Europe, which is a shame because there's no one else who sounds quite like him.
The Warsaw-based trumpeter's latest finds him in international company, joined by the British saxophonist and clarinetist John Surman, Argentine bandoneonista Dino Saluzzi, Swedish bassist Anders Jormin, Norwegian drummer Jon Christensen and the American violinist Michelle Makarski. Everyone gets a chance to solo, including some goose-bump moments from Stanko, Surman and Saluzzi, but this is no mere blowing session. The pieces are performed both in and out of tempo, with instruments used in various combinations, notably the bandoneon/bass duet during "Roberto Zucco," the meandering unisons and trumpet/bass/drum trio of "Quintet's Time," and the hauntingly beautiful bandoneon solos on two versions of Krzysztof Komeda's "Litania."
As impressive as the band is, it's the musical mood swings, and Stanko's dark tone, subtle inflections and surreal trumpet work that make this CD a perfect choice for one of those late night, early morning moments of truth.  -  Larry Appelbaum


After his critical and popular success with Litania, revitalizing the music of his countryman Komeda, Poland's Stanko, possessor of perhaps the darkest trumpet sound in jazz, resurfaces here in quite a different context, with associates from everywhere. Bandeonista from Argentina, reedman from England's south coast, classical violinist from Detroit, bassist from Sweden. Only veteran Norwegian drummer Jon Christensen is retained from the Litania session, although a sense of continuity is maintained by Saulzzi, who brings a wistful regret to his interpretation of a Komeda theme. Otherwise Stanko and John Surman share composer credits as well as the special understanding that belongs only to the most lyrical improvisers.  -  Tyran Grillo



Tracks
01. Domino (John Surman)
02. Litania, Part One (Krysztof Komeda)
03. Stone Ridge (John Surman)
04. ...Y Despues De Todo (Tomasz Stanko)
05. Litania, Part Two (Krysztof Komeda)
06. Quintet's Time (Tomasz Stanko)
07. Pantronic (Tomasz Stanko)
08. The Lark In The Dark (Tomasz Stanko)
09. Love Theme From Farewell To Maria (Tomasz Stanko)
10. ...From The Green Hill (Tomesz Stanko)
11. Buschka (Tomasz Stanko)
12. Roberto Zucco (Tomasz Stanko)
13. Domino´s Intro (John Surman)
14. Argentyna (Tomasz Stanko)

TOMASZ STANKOtrumpet
JOHN SURMANbaritone saxophone, bass clarinet
DINO SALUZZIbandoneon
MICHELLE MAKARSKIviolin
ANDERS JORMINdouble-bass
JON CHRISTENSENdrums

Recorded August 1998 at Rainbow Studio, Oslo
ECM 1680 / 547 336 – 2


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