Funky T. Cool T. is round two culled from Lester Bowie's three-day organ groove band and the diet is pretty much taped leftovers. Ensemble heads and group sound are in short supply -- the music is basically solos, mostly by Bowie, that gauzily float over Amina Claudine Myers' organ and a Famoudou Don Moye-Phillip Wilson foundation that suggests grooves more often than it plays them. You could say the music doesn't match the sum of its parts, except that two of the six parts are all but missing in action. Steve Turre takes three short solos, two of which leave absolutely no trace, but the voice-tones-with-mute one on "Cool T." at least registers. James Carter does a great job of measuring the rhythms to the opener, "Funky T.," his tenor floating and stinging and fitting into the groove...and gets cut off just as he was getting warmed up. And he's basically gone after that. "Funky T." rides over Myers' ghostly toned funk riff and Bowie heavily into his imitating-the-human-voice trumpet style. And it's worth the price of admission when the duo goes pure gospel church on "When the Spirit Returns," with Myers comping gloriously behind Bowie speaking in trumpet voices. "Cool T." gets close to a traditional organ group ensemble sound before launching into an easy-rolling Myers solo with a light-touch left-hand bass. But the standard "What's New?" is so minimal it barely exists, and "Afternoon in Brooklyn" gets an energy injection from percussion and drum flurries (finally) but just kinda drifts atmospherically along. You have to dig for the sporadic good stuff on Funky T. Cool T. and it's all down to Bowie and Myers -- if you want a sample of early James Carter as the youngblood among these graybeard vets, The Organizer is better and overall it's a more substantial disc, anyway. But it really seems like Lester Bowie threw this group away -- too bad, because the combination of his sensibility, this genre, and these players had a lot of potential. - Don Snowden
Trumpeter Lester Bowie grew up in St. Louis with a musical backdrop provided by the popular organ combos of the era. In 1991, while on hiatus from the Art Ensemble of Chicago and Lester Bowie's Brass Fantasy, the trumpeter revisited his organ roots. He wisely matched the soulful, gospel influences of organist Amina Claudine Myers and the exhilarating tenor powerhouse James Carter with trombonist Steve Turre and drummers (fellow AEC members past and present) Famoudou Don Moye and Phillip Wilson, making for invigorating yet reverent sessions. The six cuts on The Organizer include three by Bowie, one apiece from Turre and Myers, and a nod to Gene Ammons with the inclusion of "Angel Eyes." Carter and Myers receive the majority of solo space throughout the disc; however, by the session's concluding "Brooklyn Works Suite," Bowie unabashedly takes the solo spotlight. Bowie released a companion disc the same year with the same personal (also on DIW) called Funky T Cool T. - Al Campbell
Tracks
1. Funky T. (Steve Turre)
2. What's New (Bob Haggard)
3. When The Spirit Returns (Lester Bowie)
4. Cool T. (Lester Bowie)
5. Afternoon In Brooklyn (Lester Bowie)
PHILLIP WILSON drums
FAMOUDOU DON MOYE drums, percussion
AMINA CLAUDINE MYERS organ
JAMES CARTER tenor saxophone
STEVE TURRE trombone
LESTER BOWIE trumpet, flugelhorn
Recorded on 14-16 January 1991 at Systems Two Studio, Brooklyn, NY.
DIW Records DIW – DIW-853E (Japan)