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ADAM LANE·LOU GRASSI·MARK WHITECAGE - Drunk Butterfly (2008)

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Connotations of a Drunk Butterfly might sound like a humorous proposition, especially when depicted in a cartoon. But art doesn't necessarily imitate art within this 2008 trio release. Sure, the trio embarks upon a few off-kilter flight patterns. However, the musical aspects present numerous examples steeped within the bop, or free-bop scheme of things. And with three highly revered New York area artists spinning a web of excitement, the music and overall effect convey a democratic engagement that occasionally projects a spiraling trajectory.

Rising-star bassist/composer Adam Lane and veteran drummer Lou Grassi establish a fluent musical bed for alto saxophonist/clarinetist Mark Whitecage, where the trio transparently merges modern mainstream with free expression. In effect, everyone gets his or her day in the sun throughout this irrefutably buoyant jamboree. Listen to Whitecage's bopping and bouncy clarinet lines on the medium-tempo cooker titled "Chichi Rides the Tiger," which is a theme that sports a sublime, underlying melody. Yet Lane tosses a surprise into this vibrant piece by turning the tide via his frantic, bowed-bass passages that elicit gobs of tension and an air of uncertainty. To that end, the musicians convey more than just a few, aggressively initiated deviations.

Ever the accelerant and agitator, Grassi generates a fervent backbone on the predominance of these up-tempo works. While Lane leverages this rhythmic component with élan and fervor. In various regions of this album, Whitecage integrates North African modalities and staggered swing vamps to contrast his lithely engineered solo spots. Hence, the band covers a lot of musical ground by tempering the various flows and using depth as an asset.

It's partly about controlled firepower coupled with the artists shrewd injections of dynamics that helps keep this train rolling. Each track provides a distinct flavor amid several thought-provoking musical propositions, as the trio astutely balances highly complex improvisational exercises with many conventional implications.  -  Glenn Astarita


Drunk Butterfly explores the varied subtleties of acoustic swing in an increasingly eclectic post bop age. With a collective resume that includes work with Anthony Braxton, Burton Greene, Gunter Hampel, and John Tchicai, saxophonist Mark Whitecage, bassist Adam Lane and drummer Lou Grassi bring a resonant historical awareness to this session. With knowing restraint, Whitecage, Lane, and Grassi invest these pieces with a sober sense of maturity, without ever sacrificing the exploratory zeal that defines the finest free jazz.

Less a traditional saxophone trio recording than a summit meeting of three stellar improvisers, this date features the musicians on equal footing, as writer, soloist, and accompanist. Each member contributes a handful of pieces, with each tune distinctive in its own right yet thematically adherent to the set's overall post bop aesthetic. Open-ended in approach, the trio pays close attention to harmonic and rhythmic signposts throughout these melodic selections, maintaining a semblance of structure in even the most chaotic passages.

Focusing on alto sax and doubling occasionally on clarinet, Whitecage holds forth with a robust tone and facile linear phrasing, as he unfurls pungent cadences that curl into poignant Ornettish declarations. Lane, the youngest member of the trio and principle composer, demonstrates his deserved reputation as a rising star with tuneful writing and impressive virtuosity. His muscular pizzicato is robust and resolute, while his strident bowing summons an array of incandescent sounds.

Grassi offers a variety of approaches, from lithe cymbal work to roiling tom-tom workouts that recall primal African and Middle Eastern traditions. With an elastic sense of time, Lane and Grassi maintain rhythmic independence within these skeletal frameworks and rubato pulses while advancing the overall structures in subtly surprising ways.

Each tune builds on a core theme which the trio orbits with variable dynamics and spirited intensity, allotting ample space for each member to be heard. Encompassing a variety of moods, the trio ranges from the vigorous free bop of "The Last of the Beboppers" and the surging deconstructed funk of "Chichi Rides the Tiger" to the cinematic Eastern modality of "Marshall" and the solemn dirge "Like Nothing Else," driven by Lane's acerbic arco work.

The title track is representative, as Whitecage introduces a soulful melodic kernel before Lane and Grassi enter with a jaunty abstract rhythm. Each member contributes pithy statements before collectively merging into three-way discourse; Whitecage's torrid alto trades circuitous fragments with Grassi's rolling toms which in turn parry Lane's subterranean bass figures.

With years of experience in this milieu, Lane, Grassi and Whitecage reveal careful listening and empathetic interplay throughout Drunk Butterfly—telling marks of only the finest improvised sessions.  -  Troy Collins


Tracks

1. The Last Of The Beboppers (Lou Grassi)

2. Sanctum (Adam Lane)

3. Like Nothing Else (Mark Whitecage)

4. Chichi Rides The Tiger (Adam Lane)

5. Drunk Butterfly (Mark Whitecage)

6. Avanti Galoppi (Lou Grassi)

7. Marshall (Adam Lane)

8. Imaginary Portrait (Adam Lane)

9. Five O'Clock Follies (Mark Whitecage)


MARK WHITECAGE  alto saxophone, clarinet

ADAM LANE double bass

LOU GRASSI  drums


Recorded July 19th and August 7th, 2007 at Studio STATS.

Clean Feed – CF116CD



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