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EVAN PARKER·ELECTRO-ACOUSTIC ENSEMBLE - Toward The Margins (1997)

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Founded in 1992, Evan Parker's Electro-Acoustic Ensemble is a highly sophisticated grouping, which for this recording conceptually pairs three acoustic musicians with electronic tone manipulators. What keeps it so interesting is the different approaches to electronics, with Walter Prati transforming Parker's sounds, Marco Vecchi reformulating Paul Lytton's percussion, and violinist Philipp Wachsmann processing his own acoustic sounds and those of bassist Barry Guy. It is all fascinating stuff, and if it does not swing or fit into any easy definitions of "jazz," it takes the concept of improvisation to a new level. There is sometimes an aimlessness to it all that can be off-putting, but concentrated listening can produce wonderful rewards for the patient consumer. Parker's role seems less that of a leader than an instigator. He does, nonetheless, afford himself the opportunity to press his revolutionary technique to action. The detailed 20-page booklet, with extensive liner notes by Steve Lake is a real plus.  -  Steve Loewy


Tracks

01. Toward the Margins (Barry Guy/Evan Parker/Philipp Wachsmann)

02. Turbulent Mirror (Evan Parker)

03. Field and Figure (Barry Guy/Evan Parker)

04. The Regenerative Landscape (For AMM) (Evan Parker)

05. Chain of Chance (Paul Lytton/Walter Prati/Marco"Bill" Vecci)

06. Trahütten (Errol parker/Philipp Wachsmann)

07. Shadow Without an Object·Engagement/Reversal/Displacement

08. Epanados (Barry Guy/Paul Lytton/Evan Parker/Walter Prati/Marco "Bill" Vecci/Philipp Wachsmann)

09. Born Cross-Eyed (Paul Lytton)

10. Philipp's Pavilion (Evan Parker/Philipp Wachsmann)

11. The Hundred Books (For Idries Shah) (Evan Parker)

12. Contra-Dance (Barry Guy/Evan Parker)

13. [Untitled]

14. [Untitled]

15. [Untitled]

16. [Untitled]

17. [Untitled]

18. [Untitled]


BARRY GUY  double bass

PAUL LYTTON  percussion, live electronics

MARCO VECCHI live electronics, sound processing

WALTER PRATI live electronics, sound processing

PHILIPP WACHSMANN  violin, viola, live electronics, sound processing


Recorded May, 1999 at Gateway Studios, Surrey, England

ECM Records - ECM 1612   (Germany)



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