The absence of a drummer deprives "The Following Morning" of some of the drive and rhythmic shadings of other Weber releases. In some ways this is a more contemplative work, lingering longer upon the tones of the individual instruments. The title track opens with backwards piano and slides into a pensive rumination between the piano and Weber's bass. There is only the tentative presence of orchestral instruments, and the album is quite subtle and slow to unfold. You might not pick up this album as often as some other Weber releases, but it can reward close listening. - Paul Collins
Tracks
1. T. On A White Horse
2. Moana I
3. The Following Morning
4. Moana II
EBERHARD WEBER bass
RAINER BRÜNINGHAUS piano
MEMBERS OF PHILHARMONIC ORCHESTRA, OSLO Celli, French Horns and Oboe
All composed by Eberhard Weber
Recorded August 1976 at Talent Studio, Oslo
ECM 1084 / 829 116-2
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